The beauty of
nature provides inspiration for
artist Robert A. Richert. He grew up
in Southern California at a time
when open space was more abundant
than today. Many childhood days were
spent exploring nearby fields and
collecting small critters. He has an
insatiable curiosity about the
natural world, and he has always
loved to draw and paint.
In 1969-70, he
served as an infantryman with the
U.S. Army in Vietnam and was awarded
an Army Commendation Medal with a
"V" Device for valor. After his
military service, Robert attended
California State University, Long
Beach, and earned a Bachelor of Arts
Degree. Majoring in Scientific
Illustration, he learned how to
apply the knowledge and discipline
of science to the creation of art.
For many years,
Robert has shared his enthusiasm and
knowledge about ecology by
volunteering as an interpretive
naturalist at local nature
preserves. Through his volunteer
time and his artwork, he has
inspired many people toward a
greater appreciation for the
environment. Generous donations of
his paintings and prints have raised
thousands of dollars for
conservation efforts.
Mr. Richert has
pursued art full-time since 1980.
For most of his early career, he
specialized in wildlife subjects,
and later began to devote more time
to his passion for scenic beauty.
Today, he loves to explore nature's
most beautiful places and then
transform these experiences into
dramatic and visually exciting
landscapes and seascapes.
Awards,
Publications and Honors
1982 - California Duck
Stamp.
1983 - People of the Century stamp
collection.
1983 - Who's Who in Waterfowl Art,
Ray Chapman, Ed.
1984 - 86 - Leigh, Yawkey, Woodson
Art Museum: Group exhibition
1989 - Sponsor Artist of the Year,
National Waterfowl Alliance
1992 - Artist of the Year,
California Ducks Unlimited
1992 - Los Angeles County Museum of
Natural History - Group exhibition
1993 - America's Pride: Collector
plate series featuring eagles -
Bradford Exchange
1997 - The Best of Wildlife Art: -
Hardcover, Published by North Light
Books
1999 - Wildlife Art: - Hardcover,
Rockport Publishers
2002 - Connecticut Duck Stamp
Supplementary Information – Painting
Technique
The rich diversity of
color, texture and form in nature
provides endless inspiration for
Robert A. Richert. His paintings
reflect his passion for scenic
beauty. Although he enjoys painting
popular natural wonders such as
those that abound in Yosemite
Valley, he often seeks out lesser
known, out of the way corners of
nature. However, even a familiar
scene, such as the classic view of
Yosemite Valley from Inspiration
Point, may change dramatically due
to the weather, the season, or the
time of day. Subjects that others
may consider cliché, Robert welcomes
as a challenge to his creativity. He
seeks to create paintings that rise
above the generic.
Although plein air painting
(painting outdoors) is popular among
many landscape artists, Mr. Richert
prefers to work in the studio. When
outdoors, he would rather be hiking,
exploring, or just spending time
observing. He seldom interprets a
scene literally. Instead, Robert
prefers to orchestrate strong
compositions using elements from his
photographs for reference. He seeks
to capture the feeling or essence,
rather than the exact lay of a
particular place.
The great
majority of landscape and seascape
artists paint in oils. Robert
prefers acrylics. He spent more than
twenty years learning to master this
difficult, water-based medium. The
acrylic paint is applied in a
succession of thin layers, almost
like sketching with a brush. This
method affords more flexibility than
slow drying mediums allow. Robert is
continuously refining and editing as
he works through a painting,
altering the shape of an ocean wave
here or a cloud there, moving a
rock, or even a mountain! Mr.
Richert's technique allows him
superb control over color, value
(light and dark), texture, and
composition. His paintings are full
of rich detail. He seeks to convey
the intricate textures and subtle
nuances that abound in nature. In
the end, every element of the
painting has been honed to near
perfection.
The
Hidden Hearts
One of Mr. Richert's first
California landscapes featured a
large oak tree in the foreground. He
painted a carved heart on the trunk
of the tree. One day he showed the
painting to his friend, well-known
seascape artist Violet Parkhurst.
Violet liked the heart and suggested
that as a symbol for his love of
nature, Robert should include the
image in all of his future
paintings. Great idea! Ever since
then, Robert has included one or
more hidden hearts in his landscape
and seascape paintings. Sometimes, a
rough impression of the shape
emerges spontaneously; perhaps in a
clump of tree leaves, a pattern in a
cloud or the texture of a rock.
Robert need only alter it a bit.
People enjoy studying the details of
his paintings trying to find the
hidden hearts. |